Free Essays on Comparison

Living with my fiancà © for the last three years has been quite an adventure. I have always been the type of person who likes things done a certain way. I have my routine and I like to stick to it. Anal, as he would put it. He is more of a go-with-the-flow kind of person that doesn’t mind when things get a little out of order. A slob, as I would say. However, even with some of our obvious differences, we manage to keep it together and primarily try to focus on what makes us compatible. For me, living with someone was a big adjustment. I wasn’t used to sharing closet space, my bed, and especially not my bathroom. I liked things the way I liked things and I was used to not having to worry about someone else being around and messing up my space. I now find myself picking up socks and underwear on a daily basis. The countless times I yell about this doesn’t seem to sink in. Making the bed first thing in the morning was a normal ritual for me but how can you make your bed on a Saturday morning when your significant other decides that he wants to sleep in? You yell at the top of your lungs about how lazy is he and that he needs to get out of bed or you just don’t make it at all. Straightening up the house is another thing that I feel the need to do in order to be able to fully relax. No matter how long of a day I’ve had, when I come home, if my place seems a little disorganized, I feel the need to take the time and straighten it up. He, on th e other hand doesn’t seem notice and thinks that I’m strange and some sort of a â€Å"clean freak†. Paying the bills and handling the money in my house is definitely a task that I have taken on. I am one of those people that call the bank and check my balances on a daily basis. Spending large amounts of money is not something I enjoy doing. I am a very frugal person, very tight with my money. My fiancà © on the other hand doesn’t like to let money factor into things as much as I do. Heï ¿ ½... Free Essays on Comparison Free Essays on Comparison Living with my fiancà © for the last three years has been quite an adventure. I have always been the type of person who likes things done a certain way. I have my routine and I like to stick to it. Anal, as he would put it. He is more of a go-with-the-flow kind of person that doesn’t mind when things get a little out of order. A slob, as I would say. However, even with some of our obvious differences, we manage to keep it together and primarily try to focus on what makes us compatible. For me, living with someone was a big adjustment. I wasn’t used to sharing closet space, my bed, and especially not my bathroom. I liked things the way I liked things and I was used to not having to worry about someone else being around and messing up my space. I now find myself picking up socks and underwear on a daily basis. The countless times I yell about this doesn’t seem to sink in. Making the bed first thing in the morning was a normal ritual for me but how can you make your bed on a Saturday morning when your significant other decides that he wants to sleep in? You yell at the top of your lungs about how lazy is he and that he needs to get out of bed or you just don’t make it at all. Straightening up the house is another thing that I feel the need to do in order to be able to fully relax. No matter how long of a day I’ve had, when I come home, if my place seems a little disorganized, I feel the need to take the time and straighten it up. He, on th e other hand doesn’t seem notice and thinks that I’m strange and some sort of a â€Å"clean freak†. Paying the bills and handling the money in my house is definitely a task that I have taken on. I am one of those people that call the bank and check my balances on a daily basis. Spending large amounts of money is not something I enjoy doing. I am a very frugal person, very tight with my money. My fiancà © on the other hand doesn’t like to let money factor into things as much as I do. Heï ¿ ½... Free Essays on Comparison Although it may not seem obvious to all readers, the stories of Robert Frost’s â€Å"Stopping by Woods on a Snowy Evening† and Charlotte Perkins Gilman’s â€Å"The Wallpaper† share the same storyline. During certain literary periods, authors often treat similar topics. First, both stories share the same era: the beginning of the twentieth century. Gilman published in 1892 while Frost published in 1923. Moreover, both stories begin with the narrator describing the house, its location and the nature around it. Jane, in Gilman’s story spends three quiet months locked up in a yellow room. Similarly, Frost’s narrator spends a quiet night in dark woods with white snow. Both characters also feel isolated from the outside world, impressed by their surroundings and bothered by someone close to them. Furthermore, women’s condition seems like an important subject for both authors, raised by single mothers. In Gilman’s story, for example, J ohn controls Jane: he tells her what to do, where to be and what to think. Frost’s opinion seems less obvious but â€Å"he gives his harness bells a shake† (850)# resembles John’s actions when Jane locks herself in her room. The harness also represents the man’s control over the woman. Finally, both stories end with the authors’ admission of the characters’ problems: they cannot sleep, need to keep a promise and go crazy. In conclusion, Frost’s poem could be considered as being a summary of Gilman’s story because they resemble each other in so many ways. With this notion in mind, students might now be able to read stories and poems, link them together and impress their teachers.... Free Essays on Comparison Comparative Studies between Two Essays â€Å"The Brown Wasps† by Loren C. Eiseley and â€Å"The Spider and the Wasp† by Alexander Petrunkevitch are two essays from the same book, â€Å"Decker Patterns of Exposition†, by Randall E. Pecker and Robert A. Schwegler, published by Scott, Foresman & Co., Greenview, Illinois, London, England. It is obvious that the two essays use the same object, wasp, which is not a kind of insect easily seen or found. Both authors try to make this little creature his main character in the essay, for different purposes of course. In "The Brown Wasps", Loren gives wasp some symbolic meanings, and compare human beings including himself with the wasp. â€Å"Like the brown wasp, he will have his wish to die in the great droning center of the hive rather than in some lonely room.† (P. 130) â€Å"Prematurely I am one of the brown wasps and I often sit with them in the great droning hive of the station, dreaming sometimes of a certain tree.† (P. 135) Wasp has become a symbol in Loren’s essay, which is very much different from it is in Alexander’s "The Spider and the Wasp" . This time, wasp is the â€Å"archenemy† of the tarantula, a kind of spider. The author tries to tell the readers something about instinctive actions such as the battle between the tarantula and Pepsis, a kind of wasp. â€Å"The case I propose to describe here is that of the tarantula spiders and their archenemy, the digger wasps of the genus Pepsis.† (P. 165) Here wasp is nothing but only a natural enemy of tarantula, or we may say, a natural partner of the spider in the long evolvement in the history. Different purposes lead to the different position and usage of the same hairy creature, wasp. As we have mentioned above, two authors are doing the different things out of different themes. Loren , who is admired for his sensitive philosophical approach to all living things, is watching the world changing nearby all the time. He is searching a...

Get Paid

Get Paid As more and more people dip their toe into writing, more and more publications and editors think they can pay less. Supply and demand is a tried and true concept, and with way more writers clamoring to write, the cost of those writers diminishes sometimes to nothing. That does not give you permission to accept less. That does not give you permission to write for nothing. Instead, that means that you become pickier. I write for free in a few places: Blogs. Few of those pay. However, if I have something to promote, like my latest novel, I will piggy-back on someone elses readership to make a splash. Im making money, just in a sideways manner. A magazine that also advertises me. I periodically write articles for a certain magazine for free. They like my work, and in return, theyve promoted me well outside the parameters of that article, often providing the graphics for the advertising both in the magazine and for me to use elsewhere. An annual tourist guide recently asked me to write a piece, using an excerpt from my novel. This publication comes out once a year and goes in every rental in that coastal town, and sits on the counter of every restaurant. The bottom line is that writing for free has to pay somehow. Not in the ambiguous manner like I need some exposure that I am a writer. Thats a slippery slope. You enjoy seeing your hard-earned Write for free . . . on occasion. But be sure that when you do, theres a defined purpose that WILL result in tangible income. You want to be able to look at yourself in the mirror in the morning.

APPIAN WAY Research Paper Example | Topics and Well Written Essays - 500 words

APPIAN WAY - Research Paper Example The remaining sections were constructed in the course of next few centuries, with the road spanning about 563kms and thereby connecting Rome to Brindisi in southeast Italy. When the road construction process was started, it was mainly leveling the dirt road. After leveling, large stones as well as mortar were laid, which is followed by the laying of gravel. When the basic structure of the road was formed, it was topped with small stones which fitted into the gaps, thereby forming a flat surface. The small stones fitted into the gaps so aptly that historians marveled at how the small stones seem to have â€Å"grown† along with the other components. For instance, historian Procopius said that small stores â€Å"did not look so much fitted together but as grown together†, so much so they led to the formation of a road surface which was smooth, and far better than the jagged irregular roads before. (Kaster, 2012, p. 23). On the whole, the initial construction process of using large stones as the base, and then fitting in with softer gravel as well as small stones gave a proper and also functional look to the road. â€Å"Large stones made up the bulk of its construction and softer gravel that was compacted between the rocks cemented it.† (Appian Way, Rome,† n. d). Then, when the construction began on the stretch between Rome and Lake Albano, the Romans started using lime cement to build better quality roads. Sourced from volcanic rocks, this lime cement was laid over the small stones thereby providing a far smoother road surface. In addition, the Romans crowned the middle portion of the road for the purpose of water runoff, and also built ditches on either side of the road which were protected by retaining walls. It was while extending the road through the Pontine Marshes; the Romans faced number of challenges. Their plan to dry the marshes, build bridges over it and so on did not gave expected results, forcing the Romans to build

An essay about Children of a Lesser God film Example | Topics and Well Written Essays - 750 words

An about Children of a Lesser God film - Essay Example A typical example of some of these basic characteristics is the influence of gender in communication. Gamble and Gamble (2007) in their book The Gender Communication Connection bring out some of the very peculiar gender characteristic concepts of communication. Interestingly, some of the core concepts in the books are also reflected in the film Children of Lesser God. Below are some of the discussions on the key concepts discussed in chapter five (5) of the book. One of the major concepts tackled by Gamble and Gamble (2007) is the issue of perception process. It is said that perception generally refers to how we see other people from our own point of view (Huggai, 2009). This is very much application in communication and influences communication greatly because â€Å"the way that you see people will greatly determine how you interact with them and what you will get from them† (Brewster, 2012). This means that perception has the power to start communication, sustain communication, as well as influence the input and outcome of a given communication. NOVA (2005) identifies three major processes in the perception process. These are selection, organization and interpretation. Gamble and Gamble (2007) adds a fourth dimension and this dimension is response. The most important fact however is that Gamble and Gamble (2007) looks at the perception process from a gender point of view, where they make it clear that men and women certainly have di fferent styles and approaches to reacting to the perception process and thus have different ways of listening. Hesper Anderson and Mark Medoff give a well illustrated format in the differences pointed by Gamble and Gamble (2007) are displayed by men and women in the film Children of Lesser God. In the film –as highlighted in the book, we see a very vast difference between how men and women perceive communication. This difference is further consolidated by the fact that even though the female role was being played by

Things That I Will Do for Malaysia If I Become a Celebrity Essay Example for Free

Things That I Will Do for Malaysia If I Become a Celebrity Essay What if I am a celebrity? It sounds ridiculous. But what if it really comes true? What will I do? I am wondering what I should do after that, maybe I could do something for my most beloved country, Malaysia. First of all, I will make my country to become well known. I will make it famous as a tourist center so that there will be a lot of tourists come over our country and enjoy the Malaysias splendid environment. I will also tell them that Malaysia is a beautiful and also a wonderful country. Not only that, the people in Malaysia is also very friendly and amicable. They make no distinction between whats ones own and whats anothers and always be on very intimate terms. Therefore, the tourists would be interesting with the uniqueness of Malaysia and our countrys economy will also increased due to the advent of tourists Next, I will let the whole world to know about our country. By achieving this, I will let everyone to know the location of Malaysia. I will also introduce the Malaysians culture, traditional an lifestyle to the world. Since Malaysia has three major ethnicities which are Chinese, Indians and Malays, so it would be fascinating and amusing for the people to know how we lived in our country without taking offense about other race. Other than that, I will help the country by improving the public facilities such as light rail transit (LRT), monorail and also bus. This can make things easier for people so that they can feel more convenience when they go for work or maybe school. As a conclusion, I would like to say that I will do everything for my county, Malaysia if I had become a celebrity. I will make it as a harmonious country that people always look forward to.

Socioeconomics and Anti-Sovereignist Sentiment in Les bons débarras :: Film Movies Films Essays

Socioeconomics and Anti-Sovereignist Sentiment in Les bons dà ©barras Considering the maelstrom of sovereignist sentiment in which late 1970s Quà ©bec politics and society were immersed, it seems almost inevitable that Quà ©bec cinema emerging during that time should be examined for some evidence of nationalist ideology. Les bons dà ©barras, directed by Francis Mankiewicz and based on a screenplay by Quà ©bà ©cois novelist Rà ©jean Ducharme, was written in 1977, but first saw theatrical release in 1980. Arriving as it did just as Renà © Là ©vesque’s Parti Quà ©bà ©cois ascended to power on its promise to hold a referendum on sovereignty-association, Les bons dà ©barras is as likely a target as any for a nationalist-perspective analysis. The film demands critical attention for two additional, marginally related reasons. First, it is considered exceptional as one of only a handful of well received Quà ©bec films produced during the so-called tax shelter era. Second, it garnered attention nationally, reversing a trend which had seen Can ada’s film awards and even critical attention directed traditionally to poor-quality, big-budget, English-language productions financed by the tax-shelter (Lamphier, 1981). Cumulatively, these factors make Les bons dà ©barras an attractive film with which to argue larger issues of Canada-Quà ©bec relations and ideas of national identity. Ian Lockerbie (1988) endeavours to construct just such an argument. Lockerbie suggests that despite the lack of any direct reference to nationalist politics in Les bons dà ©barras, the film presents evidence of a "collective identity" which penetrates deeper than consciously revealed symbolism, and which manifests itself in individual identities and anxieties (1988: 122). The film, Lockerbie claims, offers within the cathartic emancipation of individual characters an implicit manifestation of Quà ©bec sovereignism. By basing his analysis on such deeply buried subtext, however, I think Lockerbie ignores the film’s more obvious engagement with contemporary social and economic conditions. Granted, one inevitably risks a certain degree of impudence whenever venturing to assign allegorical meaning to any film as Lockerbie has done. But I would suggest that if Les bons dà ©barras does in fact propose any commentary on Quà ©bec nationalism, it is not sovereignist at all, as Locke rbie argues, but rather offers an admonitory refusal of Quà ©bec ambitions for independence. The goals of the Quà ©bec sovereignism are traditionally idealized, in part, as a shift from the strength historically drawn from the domestic, familial community toward strength to be gained in achieving social and economic self-sufficiency within Canada. Les bons dà ©barras, however, presents a community whose attempts to attain social integrity and economic self-sufficiency have utterly failed, and whose strength must be found only in retreat to the domestic sphere. Socioeconomics and Anti-Sovereignist Sentiment in Les bons dà ©barras :: Film Movies Films Essays Socioeconomics and Anti-Sovereignist Sentiment in Les bons dà ©barras Considering the maelstrom of sovereignist sentiment in which late 1970s Quà ©bec politics and society were immersed, it seems almost inevitable that Quà ©bec cinema emerging during that time should be examined for some evidence of nationalist ideology. Les bons dà ©barras, directed by Francis Mankiewicz and based on a screenplay by Quà ©bà ©cois novelist Rà ©jean Ducharme, was written in 1977, but first saw theatrical release in 1980. Arriving as it did just as Renà © Là ©vesque’s Parti Quà ©bà ©cois ascended to power on its promise to hold a referendum on sovereignty-association, Les bons dà ©barras is as likely a target as any for a nationalist-perspective analysis. The film demands critical attention for two additional, marginally related reasons. First, it is considered exceptional as one of only a handful of well received Quà ©bec films produced during the so-called tax shelter era. Second, it garnered attention nationally, reversing a trend which had seen Can ada’s film awards and even critical attention directed traditionally to poor-quality, big-budget, English-language productions financed by the tax-shelter (Lamphier, 1981). Cumulatively, these factors make Les bons dà ©barras an attractive film with which to argue larger issues of Canada-Quà ©bec relations and ideas of national identity. Ian Lockerbie (1988) endeavours to construct just such an argument. Lockerbie suggests that despite the lack of any direct reference to nationalist politics in Les bons dà ©barras, the film presents evidence of a "collective identity" which penetrates deeper than consciously revealed symbolism, and which manifests itself in individual identities and anxieties (1988: 122). The film, Lockerbie claims, offers within the cathartic emancipation of individual characters an implicit manifestation of Quà ©bec sovereignism. By basing his analysis on such deeply buried subtext, however, I think Lockerbie ignores the film’s more obvious engagement with contemporary social and economic conditions. Granted, one inevitably risks a certain degree of impudence whenever venturing to assign allegorical meaning to any film as Lockerbie has done. But I would suggest that if Les bons dà ©barras does in fact propose any commentary on Quà ©bec nationalism, it is not sovereignist at all, as Locke rbie argues, but rather offers an admonitory refusal of Quà ©bec ambitions for independence. The goals of the Quà ©bec sovereignism are traditionally idealized, in part, as a shift from the strength historically drawn from the domestic, familial community toward strength to be gained in achieving social and economic self-sufficiency within Canada. Les bons dà ©barras, however, presents a community whose attempts to attain social integrity and economic self-sufficiency have utterly failed, and whose strength must be found only in retreat to the domestic sphere.

Reflective Writing of Gifted Hands-the Ben Carson Story Essay

â€Å"Gifted Hands: The Ben Carson Story† is a true story movie that revolves on the life of Benjamin â€Å"Ben† Carson who overcome poverty, racism, and a violent temper to become a world-renowned Pediatric Neurosurgeon that gives him a great credit in the field of Medicine. In his early years, he is the dumbest student in their class that made her mother come up on a decision on urging them (Ben and his brother Curtis) to start reading books in the Detroit Public Library because she doesn’t want her children will end up like her. Before long, Ben moved from the bottom of the class to the top. As he enters the world of Medicine as a Pediatric Neurosurgeon in John Hopkins Hospital, he successfully performed a ground-breaking surgery separating conjoined Siamese twins who were born joined at the head (this complex surgery has never been achieved before without casualties). It was a milestone in neurosurgery, but was far from the only worth mentioning achievement o f Carson’s career. For me, the most noteworthy event in the movie was when his Ben’s mother imparted him, â€Å"You can do anything that anyone else can do, only you can do it better.† This excerpt was intended for Ben to be encouraged and to boost his confidence to pursue with his undertakings to be the best he can be. He slowly discovers that his brain is indeed capable of both intelligent and creative thought. It’s a discovery – the miracle of human brain – that completely changes his life and shapes the course of his future. Learning developed when this excerpt was imparted, for me the gist of the excerpt is there’s nothing impossible if we just think that we can do our best, it just takes courage, self-confidence, self-efficacy and faith in God. Whatever course you decide upon, there is always someone to tell you that you are wrong. There are always difficulties arising which tempt you to believe that your critics are right. To map out a course of action and follow it to an end requires courage. This is similar to Bandura’s Self-Efficacy Theory. Bandura’s theory emphasizes the role of observational learning, social experience, and reciprocal determinism in the development of personality. According to Bandura, a person’s attitudes, abilities, and cognitive skills comprise what is known as the self-system. This system plays a major role in how we perceive situations and how we behave in response to different situations. Self-efficacy plays an essential part of this self-system. According to Albert Bandura, self-efficacy is â€Å"the belief in one’s capabilities to organize and execute the courses of action required to manage prospective situations† (1995, p. 2). In other words, self-efficacy is a person’s belief in his or her ability to succeed in a particular situation. Bandura described these beliefs as determinants of how people think, behave, and feel (1994). Since Bandura published his seminal 1977 paper, â€Å"Self-Efficacy: Toward a Unifying Theory of Behavioral Change,† the subject has become one of the most studied topics in psychology. (http://psychology.about.com/od/theoriesofpersonality/a/self_efficacy.htm). Because in Bandura’s Theory of Self-Efficacy verifies that self-efficacy can have an impact on everything from psychological state to behavior to motivation while people with high self-efficacy – that is, those who believe they can perform well—are more likely to view difficult tasks as something to be mastered rather than something to be avoided. Like in the Bandura’s Theory of Self-Efficacy this reveals that it is how one judges one’s own competence to complete tasks, ability to perform well and reach goals. Self-efficacy affects every area of human endeavour, by determining the beliefs a person holds regarding his or her power to affect situations, thus strongly influencing both the power a person actually has to face challenges and the choices a person is mostly likely to make. These effects are particularly apparent, and compelling, with regards to behaviors affecting health. It is distinct both from efficacy and from self-esteem, confidence, and self-concept. Understanding how to foster the development of self-efficacy is important for policymakers, educators, and others in leadership positions, and to anyone seeking to build a happier, more productive life. Just like in Ben Carson’s story when he was hesitating on pursuing the operation between the Siamese twins because this surgery wasn’t successfully achieve or accepted before. But with the words of encouragement of his mother, he immediately conducted some research like reading books and applying his stock knowledge. Through these, he successful run the operation on the Rausch twins and that made him carve his name in popularity. Having watched the movie â€Å"Gifted Hands: The Ben Carson Story† I realize that in life we must believe in ourselves. Believe in our strength, capabilities, and have faith in God. Like in the story of Ben Carson after realizing the words of her mother, he slowly discovers that his brain is indeed capable of both intelligent and creative thought. It’s a discovery – the miracle of human brain – that completely changes his life and shapes the course of his future. Furthermore, I learned that we must not put some barriers or limitations immediately on the things we think we can’t do. Don’t belittle yourself and neglect things right away. Have After watching the movie, I have significantly improved my perception of self-confidence to achieve anything even the impossible. This makes me feel that self-confidence my key to every achievement of goals and even surpassing some difficulties in life. This perception will be a useful tool to me as learner because to be able to succeed in life is to face some up’s and down’s of life with full courage and there will be no courage if self-confidence is missing. As a next step, I need to be open-minded in all possibilities that could happen, even it will be an achievement or misfortune, and ready to face them with courage and faith in God.

Bayesian Equalizer

IntroductionThe work undertaken in this thesis chiefly discusses the two types of fuzzy system based channel equalisers in nomadic communicating system in GSM environment. The fuzzed execution and RBF execution of Bayesian equaliser based on MAP standard has been presented. The capableness of fuzzed equalisers in a GSM environment for a Rayleigh faded additive channels and nonlinear channels have been analyzed. A Type-2 fuzzy logic based equaliser proposed by Mendel [ 29 ] has been compared with proposed equaliser for GSM applications. This chapter summarizes the work reported in this thesis, stipulating the restrictions of the survey and provides some arrows to future development. Following this debut subdivision 5.2 lists the accomplishments from the work undertaken. Section 5.3 provides the restrictions and subdivision 5.4 nowadayss few arrows towards the hereafter work.Accomplishments of the thesisThe work presented in this thesis can be classified for two parts. The first portion presents the step of the public presentation of two types of fuzzy system based equalisers for GSM application in additive attenuation channels and the other portion is dedicated for nonlinear channels. Major points of the thesis, foregrounding the parts at each phase, are presented below. Chapter 3 of this thesis presents fuzzed execution of Bayesian equaliser [ 28 ] . It has seen that the Bayesian equaliser uses the estimations of noise free received vectors called channel provinces to explicate the determination map. It can be expeditiously implemented utilizing the estimations of noise free received scalars called scalar channel provinces which cut down calculations well over conventional Bayesian equaliser. It can be implemented utilizing RBF with scalar channel provinces. Subsequently, fuzzed execution of Bayesian equaliser has been derived and this fuzzed equaliser gives suboptimal consequence with farther cut downing the computational complexness. The fuzzy implemented Bayesian equaliser uses Gaussian rank maps, merchandise illation in the signifier of IF†¦ THN regulations and COG defuzzifier. This equaliser has been termed as fuzzy implemented RBF or merely RBF in the thesis. This RBF equalizer shown optimum public presentation in signifier of BER in GSM environment. The usage of fuzzy system in implementing the Bayesian equaliser provides flexibleness in the design of Bayesian equalisers with using different illation regulations and defuzzification procedure [ 12 ] . But in this thesis the fuzzy equaliser has been discussed and proposed with holding minimal illation regulation and COG defuzzifier. The parametric execution of Bayesian equalisers utilizing fuzzed systems make the equaliser traceable in GSM application supplying the consequence near to the optimal with decreased computational complexness. The Type-2 FAF has been described and evaluated under GSM environment for channel equalisation intents. This has been used to compare public presentation of proposed equaliser. Type-2 FAF utilizes the mean of the channel province bunchs formed by the attenuation of channel to explicate two rank maps ( Upper and Lower ) to make up one's mind its determination map. Type-2 FAF though provides consequence near optimum utilizing big prepa ration informations but could non execute good for GSM application.Major part from this chapter is summarized here.The public presentation rating of two types of fuzzy equalisers has been done under GSM environment with the comparing to the RBF execution of Bayesian equaliser and other additive equalisers trained with RLS and LMS algorithm with different channels and equalizer orders. These equalisers are evaluated for additive channels with Rayleigh attenuation. Chapter 4 of this thesis discusses the public presentation of fuzzed equalisers along with the additive equalisers under GSM environment for the nonlinear channels with Rayeligh melting. A block diagram of digital communicating system with nonlinearities has been discussed where different types of nonlinearities were considered. In this chapter how the channel coefficients were altering with attenuation has been shown. The channel states with debut of some nonlinearities have been shown and the motion of channel provinces along with certain dimensions with attenuation was described with simulation. The k-mean bunch method of preparation for nonlinear channels has been described as it is hard to gauge the channel with presence of nonlinearities.Major part signifier this chapter is summarized in a brief.The Type-1 fuzzy adaptative equaliser performs near to the RBF equaliser which is optimum equalisers [ 43 ] and better than the Type-2 FAF proposed by Mendel for GSM application. Type-1 FAF can be trained in 26 preparation informations which Type-2 could non. The additive equalisers trained with RLS and LMS algorithms does non demo acceptable public presentation with such little preparation informations and melting environment with the channels affected by nonlinearities.Restrictions of the workThis subdivision presents some of the restrictions of the work reported in this thesis. In this thesis the fuzzed execution of Bayesian equaliser has been validated for GSM application. This equalisers are related to ( ) where N is the size of the symbol alphabet or configuration. This big complexness bounds this signifier of equalisers to communicating systems where channel scattering is comparatively little, of order of. The work undertaken in this thesis merely considered 2-level PAM transition where to increase the transmittal speed the efficient transition strategies like 4-level PAM, QPSK are needed. It can be extended to other efficient transition strategies in line with RBF execution of Bayesian equalisers [ 49 ] . Other issues like next channel intervention ( ACI ) , co-channel intervention ( CCI ) , Rayleigh melting with different holds, clocking recovery in the receiving system were non considered.Scope for the farther researchBy reasoning this thesis, the followers are some arrows for farther plants can be undertaken. The suggested country in which research can be undertaken follows from the restriction of the work presented in this chapter. As determination feedback equalisers are simple and needs less preparation informations, a determination feedback equaliser could supply alternate equalisation scheme for GSM environment. Different efficient cryptography and transition strategies could be considered in the simulation.

Free Essays on Fats Waller

By 1925 the pre jazz era was in full effect. Names like Louis Armstrong, ‘Duke’ Ellington, and ‘Count’ Basie were going to be a part of jazz history forever. As jazz became the backbone for most of the music that is heard today, many names were going to be recognized for their contributions to music history. One of them being Thomas ‘Fats’ Waller. Born May 21st, 1904, in New York, Fats was the son of Edward Martin Waller a minister Abyssinian Baptist Church in Harlem. He played the organ and sang in the choir. But fats would only continue with that routine until the age of fifteen; he would move to the Harlem Cabaret area, occasionally doubling as a theatre organist and as a. piano-roll artist for the Q-R-S Company. Before 1930 Fats would have already performed as the pianist for great blues singer Bessie Smith. The advantage that Fats had growing up, was his tutor, James P. Johnson, better known as the founding father of stride piano. Waller learned most of his characteristics of his style of playing, which was characterized as ‘light and springy’ from Johnson. Fats’ first recordings were done in 1922. But it wasn’t 1929 when he caught a break writing the score for the Broadway hit "Hot Chocolates" with lyrics supplied by his friend Andy Razaf. His most famous song â€Å"Ain’t Misbehavin† was part of this show, which also featured the great Louis Armstrong. Waller was a great entertainer and in 1934 and at George Gershwin’s party, with a delightful performance, one of Victor Records representatives who delighted by his playing and entertaining, scheduled a recording session for Fats with the company. Fats’ band was known as ‘Fats Waller and his Rhythm’. Waller was also the mentor of ‘Count’ Basie, one of the great band leaders of the swing era along with ‘Duke’ Ellington. Everybody wanted to play for either Baise or Ellington, and you were recognized as a good musician once you were p... Free Essays on Fats Waller Free Essays on Fats Waller By 1925 the pre jazz era was in full effect. Names like Louis Armstrong, ‘Duke’ Ellington, and ‘Count’ Basie were going to be a part of jazz history forever. As jazz became the backbone for most of the music that is heard today, many names were going to be recognized for their contributions to music history. One of them being Thomas ‘Fats’ Waller. Born May 21st, 1904, in New York, Fats was the son of Edward Martin Waller a minister Abyssinian Baptist Church in Harlem. He played the organ and sang in the choir. But fats would only continue with that routine until the age of fifteen; he would move to the Harlem Cabaret area, occasionally doubling as a theatre organist and as a. piano-roll artist for the Q-R-S Company. Before 1930 Fats would have already performed as the pianist for great blues singer Bessie Smith. The advantage that Fats had growing up, was his tutor, James P. Johnson, better known as the founding father of stride piano. Waller learned most of his characteristics of his style of playing, which was characterized as ‘light and springy’ from Johnson. Fats’ first recordings were done in 1922. But it wasn’t 1929 when he caught a break writing the score for the Broadway hit "Hot Chocolates" with lyrics supplied by his friend Andy Razaf. His most famous song â€Å"Ain’t Misbehavin† was part of this show, which also featured the great Louis Armstrong. Waller was a great entertainer and in 1934 and at George Gershwin’s party, with a delightful performance, one of Victor Records representatives who delighted by his playing and entertaining, scheduled a recording session for Fats with the company. Fats’ band was known as ‘Fats Waller and his Rhythm’. Waller was also the mentor of ‘Count’ Basie, one of the great band leaders of the swing era along with ‘Duke’ Ellington. Everybody wanted to play for either Baise or Ellington, and you were recognized as a good musician once you were p...

Dont Be Too Eager to Publish

Dont Be Too Eager to Publish Dont Be Too Eager to Publish Dont Be Too Eager to Publish By Maeve Maddox My son gave me a mystery the other day. Hed encountered the author at Barnes and Nobles and, having chatted with the man, he felt bound to buy a copy of his book. Well call the writer Author X. Under the attractive dust jacket, the sturdy binding is stamped with the title and authors name in gilt letters. The book could have been produced by a major publisher. As soon as I read the first paragraph, however, I knew that the book had been self-published. With a bit of disguise, heres the first paragraph: The phone jingled on Butch Grands desk and jolted him out of his daydream. He had been thinking about how hot and dry the last two years had been and was hoping this year would be better. As Police Chief of Philadelphia, Mississippi, things just went better for him when it was cooler and they got some rain. The phone rang again and he took the receiver off the hook. Whats the first clue that Author X is not a professional? He tells the reader that the character is having a daydream, and then he tells what the daydream was about. An experienced writer would have placed the reader in the daydream with sensory details, and then jolted him out of it to answer the phone. An experienced writer would probably have had him answer or pick up or perhaps just start talking, and not have told us that the man took the receiver off the hook. See if you can identify any other marks of too little revision. This opening paragraph is followed by a lengthy conversation with a woman who is reporting the discovery of a body at the town dump: No, she didnt discover it, some boys did. And then she puts a boy on the phone and the police chief asks how he spells his name and then he talks to the woman again and wants to know what time she cooks supper and then he tells her that he might not be able to get to the dump right away and then he drifts off again thinking about the fact that the town hasnt had a murder in seven years and then a Hello? at the other end of the line jars him back to business and then he hangs up the receiver and sets the phone back on the desk All this has taken us to page 3. Now we learn that he warned the woman that he might be late because his department has only two patrol cars and both are out with other drivers so he goes to the cafe and gets the Sheriff to drive him to the dump and on the way he thinks about how the dump originated and what the town was like in the 1800s and then they get to the dump where the two men exchange introductions with the boys who found the body and then, finally, on page 8, we see the body. Mysteries can open in various ways. Established authors like Elizabeth George and Sara Paretsky can afford to begin with descriptions of weather and the thoughts of their characters because their readers are confident they are entering a fictional world that has entertained them in the past. First-time authors have to work harder at drawing the reader in with the first paragraph. The body does not have to appear in Chapter One, but if you decide to put it there, get on with it! Consider this opening paragraph: The bodies were discovered at eight forty-five on the morning of Wednesday 18 September by Miss Emily Wharton, a sixty-five-year-old spinster of the parish of St. Mathhews in Paddington, London and Darren Wilkes, aged ten, of no particular parish as far as he knew or cared. P.D. James, A Taste for Death. Like Author X, James delays our first look at the bodies until several pages later. We dont see them until page 9. But where Author X rambles about, talking about this and that, throwing in lengthy conversation and irrelevant detail, James uses the intervening pages to build suspense and horror in the reader. The existence of the bodies is established in the first sentence, but then James makes us wait as she reveals the relationship between the woman and the boy. The more we know about them, the more we want to know what kind of circumstances could have led them to discover dead bodies. When we finally do see the bodies, our horror is greater because we see them through gentle Miss Whartons eyes. The main problem with Author Xs story is that he was too eager to publish. He was not willing to do the revision necessary to turn a draft into a (professionally) publishable manuscript. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:When to Capitalize Animal and Plant NamesIs There a Reason â€Å"the Reason Why† Is Considered Wrong?Ulterior and Alterior

Iroquois Theatre Fire Research Paper Example | Topics and Well Written Essays - 3500 words

Iroquois Theatre Fire - Research Paper Example Some of the most disastrous fires in the United States in the 20th century include the Iroquois theater fire in Chicago in 1903, general Slocum wheel boat fire in 1904 the Ohio State penitentiary fire in 1930, the San Francisco fire in 1909 among other major fires that caused heavy loss of human lives and destruction. After the fire disasters, the fire and safety authorities in the United States have instigated various safety codes in various zones to protect people and property from the imminent risk of fires. This paper investigates the Iroquois theatre fire, with special focus on the failure of existing code processes at the time, the impact of the fire disaster on the code processes after the incident and the current code processes. In one cold afternoon of December 30 1903 in Chicago, about 2000 patrons most of whom were women and children assembled in the Iroquois theatre. In addition, about 400 performers and stage actors were jammed in the basement, backstage and dressing rooms to witness what was surely an exciting show. The audience was full of anticipation in readiness to watch a musical comedy, Mr. Bluebeard. Five weeks prior to the staging of the music comedy, the 1,700 capacity Iroquois theatre had just been opened with much excitement from the public and the press (Marshall 1904). According to Marshall (1904, p 27), The Chicago Tribune one of the most reputable dailies in the city described the theater as â€Å"virtual temple of beauty†. Iroquois was the finest of all theatres that had been constructed in the United States at the time. It had been lavishly furnished with marble and plate glass with luxurious mahogany and ornamentation. The theater had a splendid promenade lobby with a sixty feet ceiling from the floor. An impressive flight of staircases ascended on both sides of the theatre. At around 3.00pm, the theatre caught fire and in about fifteen minutes, 602 people had died and over 250 were seriously